Music Glossary: [Page 30]

Grow email/SMS list for direct reach unaffected by algorithms. more

Sound reinforcement system for live venues: mixers, amps, speakers, processing, and monitoring. more

Layer simple sustained chords with evolving intervals (9/11/13) via mod matrix. more

Combining sustained pads with rhythmic pulses/arps to fill space while maintaining momentum. more

Sustained harmonic beds (strings/synths) to glue and support the lead. more

Input pad prevents clipping; polarity invert (Ø) corrects reversed wiring; phase alignment avoids cancellations with multi-mics. more

System/staff spacing and margins for readability and page turns. more

Tuned resonant absorber using a limp or stiff panel over an air cavity to target narrow LF bands. more

Rudiment with sticking RLRR LRLL (and variants); useful for orchestration and flow. more

Blend of heavily compressed signal with dry to retain transients and density. more

Parody may qualify under fair use; fact-specific and risky without counsel. more

Preparing individual instrumental parts from a full score with correct cues, layout, and page turns. more

Separate parts with page turns, multirests, cues; proofread for playability. more

Variations over a repeating bass line or harmonic pattern; related to chaconne. more

Program Changes select presets, Control Changes tweak parameters. Automate from the show session to keep hands free. more

Membership platform for recurring fan support via tiers, perks, and exclusive content. more

Slight changes per 2, 4, or 8 bars to avoid loop fatigue; add fills at section boundaries. more

Static bass with moving harmony above; builds tension and anchor. more

Loop switchers and MIDI PC/CC automate pedal on/off and presets; reduces tap dancing live. more

Sustain root while harmony moves above; anchors form and builds tension. more

Portable board mounting multiple pedals with power and patching for live use. more

Typical chain: tuner→dynamics→drive→mod→time; adjust for taste/noise. more

Five-note scale (1–2–3–5–6) avoiding semitone tension; ubiquitous in folk and rock. more

Five-note scale (1–♭3–4–5–♭7); central to rock, blues, funk, and pop solos. more

Use minor pents a half-step above/below root to capture ♭9/♯9/♯11 colors. more

Stack non-diatonic pentatonics for modern colors over static harmony. more

Selecting complementary shakers, tambourines, claps to enhance feel without masking vocals. more