color
Articulation PaletteUse staccato, marcato, legato, pizzicato, mutes, harmonics for contrast. more
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Arrangement and Orchestration
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BitonalitySimultaneous use of two tonal centers; extreme coloristic harmony. more
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Harmony and Chords Advanced Voicings
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Borrowed ChordsDrop in bVII, iv, bVI from parallel minor/major for instant color moments. more
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Keys and Harmony for Producers
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Chromatic ScaleTwelve-note collection moving exclusively by semitones; spans the octave. more
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Scales and Modes
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Col LegnoStriking strings with the wood of the bow for percussive timbre (battuto) or bowing with wood (tratto). more
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Orchestration and Notation
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Coloristic DoublingsBlend timbres (e.g., flute+violin, clarinet+viola) to create hybrid colors. more
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Orchestration by Function
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DoublingAssigning the same line to multiple instruments for strength, blend, or color fusion. more
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Orchestration and Notation
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Extended ChordSeventh chords with added tensions 9, 11, 13; color tones requiring careful voice-leading. more
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Harmony and Chords
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Flutter-TongueWind articulation using rolled R or throat flutter; produces growling, buzzy color. more
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Orchestration and Notation
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Harmonics (Natural/Artificial)Overtone tones produced by lightly touching nodes (strings/winds); ethereal color and reduced volume. more
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Orchestration and Notation
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Melodic MinorMinor scale with raised 6th and 7th ascending; in jazz used the same both up and down. more
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Scales and Modes
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Modal ImprovisationFocus on color tones and drone centers; fewer changes, deeper development. more
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Improvisation
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Modal InterchangeBorrowing chords from parallel modes/keys (e.g., bVII, iv). more
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Harmony and Chords
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Orchestral BlendCombine timbres that fuse (clarinet+viola, horn+cellos) for new composite colors. more
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Arrangement and Orchestration
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OrchestrationThe craft of assigning musical material to instruments/sections for color, balance, and clarity. more
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Orchestration and Notation
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Planing (Parallel Harmony)Move chord shapes in parallel for coloristic effect; watch voice-leading clashes. more
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Harmony and Chords
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Quartal Voicings on KeysStacked fourths for modern color; rotate shapes through scale. more
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Keys and Piano Technique
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RegisterA pitch region of an instrument/voice with characteristic timbre, projection, and technical limits. more
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Orchestration and Notation
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Register & RangeAssign parts within playable/comfortable ranges; extreme registers change color and power. more
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Arrangement and Orchestration
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Senza / Con SordinoWithout/with mute indications; alters color and dynamics especially on strings/brass. more
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Orchestration and Notation
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Seventh ChordTriad plus a seventh: major7, dominant7, minor7, half-diminished, fully diminished. more
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Harmony and Chords
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Sul Ponticello / Sul TastoString bowing near bridge (bright, glassy) or fingerboard (soft, fluty) for color contrast. more
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Orchestration and Notation
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TimbreTone color or quality that distinguishes instruments/voices even at the same pitch and loudness. more
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Orchestration and Notation
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Timbre RecognitionIdentifying instruments and articulation by sound; aids orchestration and mixing. more
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Ear Training
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Assign consistent colors by type (drums=red, vocals=blue, keys=green) to speed navigation. more
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Studio Workflow and Collaboration
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Triad PairsImprovisation device alternating two triads a step apart for modern linear color. more
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Scales and Modes
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Triad Pairs by FunctionMap major/minor triad pairs to chord functions (tonic, predominant, dominant) for predictable color. more
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Improvisation
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