Music Glossary: [Page 27]

A tempo change derived from a prior subdivision/equivalence, creating a precise new tempo. more

Detect pulse reinterpretations (eighth-note triplet → new quarter). more

Tempo ramps (±5–10 BPM) and back-off steps to stabilize technique. more

Explicit BPM indication attached to a note value (e.g., ♩=76). more

Device that amplifies low-level mic signals to line level with minimal noise and color. more

Choose mic based on tone and proximity effect. Condensers for detail, dynamics for control, ribbons for warmth. more

Teach performers proximity/axis for consistent tone and feedback control. more

Directional sensitivity shapes (cardioid, omni, figure-8); affects bleed, proximity, tone. more

Distance/angle for plosives and sibilance; work proximity for tone without boom. more

Marketplaces for licensing short-form uses (creator videos, podcasts, small ads) at scale. more

Intentional ahead/behind placement; small deviations create feel. more

Work on laying back or sitting ahead of the beat deliberately. Record to a click/loop to refine consistency and pocket. more

Place clicks on upbeats/16th offbeats; record yourself and analyze drift and flam. more

Training beyond 12-TET: quarter tones, spectral relationships, set-class hearing. more

Separate mid (center) and side (stereo width) signals for targeted EQ, compression, or widening. more

Protocol for musical performance/control data between devices and software. more

Protocol to trigger cues in lighting, video, and effects from the music rig. Often paired with Program/Control Changes for instrument patches. more

Figure‑8 side plus cardioid mid; matrixed to variable width stereo with mono compatibility. more

Approx. early-1980s–mid-1990s births; heavy streaming/social usage with nostalgia purchase patterns. more

Minor triad + minor seventh (e.g., ii–7). Versatile in tonal and modal contexts. more

An interval spanning three semitones between two notes—for example, A to C. It defines the difference between major and minor tonalities and is key... more

Root–minor third–perfect fifth; darker, melancholic consonance. more

Ternary dance form (ABA) in triple meter; classical symphonic movement staple. more

Gentle compression, EQ, and saturation on the master to unify elements; minimal if mastering engineer will handle polish. more

Light glue (1–2 dB GR), gentle tilt; avoid over-EQ pre-master. more

How a mix sounds on different playback systems. Reference on earbuds, car, monitors, and mono to ensure consistency. more

Major mode with ♭7; primary choice over dominant (V or I7) grooves. more