ear-training-advanced-drills category
A/B Spatial PerceptionBlind A/B for stereo width, depth (reverb), and localization cues. more
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Altered Dominant ColorsHear b9, 9, 11, b13 over V7alt against a drone or looped vamp. more
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Audiation PracticeSilently hear and notate phrases before sounding them; strengthens inner ear. more
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Cadence Typing by EarDifferentiate authentic, plagal, deceptive, half cadences by sound. more
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Compound IntervalsIdentify 9ths/10ths/11ths etc.; relate to simple intervals plus octave. more
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Ensemble Error SpottingDetect wrong notes/entrances in scores or rehearsals rapidly. more
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Form Recognition by EarMap intro/verse/chorus/bridge from arrangement cues and energy. more
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Harmonic Rhythm SenseCount chord-change rate independent of surface rhythm. more
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Just vs Equal IntonationHear pure intervals vs 12-TET compromises; useful for vocal/strings tuning. more
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Masking RecognitionIdentify frequency masking pairs by ear (e.g., bass/kick, vocal/guitar). more
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Metric Modulation by EarDetect pulse reinterpretations (eighth-note triplet → new quarter). more
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Modulation CuesDetect pivot chords/common tones that signal key changes in real time. more
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Polyrhythm CellsInternalize 3:2, 4:3, 5:4 using counting grids and clapping routines. more
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Rhythmic DisplacementHear motifs moved by a beat/subdivision and keep track of downbeats. more
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Set-Class/Atonal CellsRecognize common pitch-class sets (e.g., 0-1-4) and their interval vectors. more
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Spectral/Obertone HearingIdentify overtones and timbral shifts; informs orchestration and EQ. more
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Swing Ratio & FeelDistinguish 2:1, 3:1, triplet swing vs shuffle; calibrate to tempo. more
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Tempo EstimationEstimate BPM within ±3–5 by counting and calibrating to references. more
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Upper-Structure Triads IDRecognize common USTs (e.g., E over C7 = 13/11/9 color). more
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