systems

Improvise a “call,” then answer it with a contrasting or resolving phrase. Trains phrasing, conversation, and audience engagement. more

Build solos from tiny interval cells (e.g., 1–b3–5). Sequence, invert, and transpose through changes for modern, intervallic lines. more

Practice with limits (one string, two notes, one rhythm). Constraints expose weaknesses and strengthen core musicality. more

A classic bebop device: surround a target tone from above and below (chromatic/diatonic) before landing. Creates tension-release and clear resolution. more

Intentionally imply substitute chords (triads, pentatonics) over the harmony. Use sparingly and resolve to chord tones to “come home.” more

Work on laying back or sitting ahead of the beat deliberately. Record to a click/loop to refine consistency and pocket. more

Pre-chosen chord tones (often 3rds/7ths) you aim for on strong beats. Connect to them with scales, approaches, or enclosures for melodic direction. more

Transcribe phrases, then “translate” them to all keys, grooves, and tempos. The goal is concept absorption, not rote licks. more

Use triads built on extensions (e.g., over V7 play a bII major triad for b9/11). Creates colorful lines and fast chord recognition. more