Music Glossary: recording

Converts analog mic/instrument signals to digital audio and back; includes preamps, monitor outs, and often MIDI I/O. more

Recordable/playable parameter changes (level, pan, FX) over time for consistent, recallable mixes—aka “hands‑free mixing.” more

Collaborative release credited as “Artist feat. Guest.” Clarify splits, approvals, assets, and release plan before publishing. more

Editing multiple takes to create a best performance. Requires crossfades and consistent tone to remain transparent. more

Legally binding agreement covering rights, term, territory, deliverables, advances, and recoupment. Always seek qualified legal advice. more

Use frequency-selective compression or automate EQ for sibilance control. Don’t dull consonants. more

Analog or digital mixer with channels, EQ, dynamics, buses, and automation; used for tracking and live/ studio mixing. more

Replacing a section by dropping into record over an existing take, then punching out to preserve the rest. more

Main theme/melody statement—often heard at the start and reprised at the end in jazz and instrumentals. more

Ownership of a specific sound recording; distinct from composition (publishing) rights. more

Royalties for sound recording public performance/broadcast to performers and labels. more

Recording an additional layer over existing tracks to correct, enhance, or add parts. more

Quick balance/export for reference and notes; not the final approved mix. more

Protects the master recording owned by label or artist; distinct from the underlying composition. more

Written percentage allocations on the master to avoid disputes at payout time. more

Dry = no effects printed; Wet = effects printed (reverb, delay, etc.). Provide both when sharing stems for flexibility. more

One recorded pass of a part. Multiple takes are captured to allow comping, editing, and choice. more

Typical signal flow: mic → preamp → compressor → EQ → converter. Maintain clean gain staging and low noise floor. more

Use light serial compression: fast compressor for peaks, slower one for body. Aim for 3–6 dB total gain reduction. more

Track doubles and harmonies tightly. Pan or blend for width; align timing manually or with subtle delay. more

Manage lead, double, harmony, and ad-lib levels for focus. Keep lead forward and support layers tucked. more