Music Glossary: [Page 49]

Limiting with oversampling to catch inter-sample peaks above 0 dBFS that can distort on conversion. more

Bright, projecting brass voice; agile fanfares to lyrical lines; transposes major second. (B♭) more

Lowest brass providing foundation; warm, broad tone; various keys (F, E♭, C, B♭). more

Gears that adjust string tension; locking variants speed string changes and improve stability. more

Seat heads, interval relationships, gels/rings/felt for decay control. more

Any division of a beat into irregular subdivisions (e.g., triplet, quintuplet). more

Readable brackets/numbers; avoid ambiguous nesting and cross-staff chaos. more

Number and bracket tuplets where needed; do not break tuplets across beams without clear context. more

Short progression leading back to start or chorus (e.g., V–IV–I or ii–V). more

Common endings (V/vi → vi, backdoor IVm → I) as MIDI clips for quick reuse. more

Decide between full ensemble (impact) vs small forces (clarity/intimacy). more

Twitch is a live-streaming platform originally built for gaming but now a major hub for music performance, fan interaction, and creator monet... more

Nigerian clay pot drum; unique low woof and hand slaps. more

Encourage remixes, duet challenges, fan art; reward participation. more

Earning from user-generated videos that use your audio on platforms supporting revenue share. more

Irish bellows pipes with drones and regulators; complex chanter technique. more

Know AFM/Equity rules vs indie norms; pension/health implications. more

Lines performed at the same pitch (unison) or separated by an octave for emphasis/clarity. more

Duplicate oscillators; detune/spread for width; beware mono low-end. more

Tighten lines with unisons/octaves; watch phase and pick/attack alignment. more

Barcode identifiers for releases required by distributors and retail. more

Color tones beyond the seventh (9, 11, 13); managed with avoid-note awareness. more

Major/minor triad superimposed over a dominant to target tensions (e.g., E over C7). more

Triads built on 9/♯11/13 imply extensions over 7th chords (e.g., over C7: E, G, A triads). more

Recognize common USTs (e.g., E over C7 = 13/11/9 color). more

Use triads built on extensions (e.g., over V7 play a bII major triad for b9/11). Creates colorful lines and fast chord recognition. more

Map ranges to different samples or timbres for realism; vary velocities for human dynamics. more