Music Glossary: [Page 9]

Provide a count-in reference stem when needed so live players and editors align starts reliably. more

More in the File Prep, Metadata and Delivery category...

Decide per song: click for tracks/precision vs free tempo for feel. more

More in the Stagecraft and Performance category...

Leveling phrases pre-inserts so compressors and plugins work musically and consistently. more

More in the DAW Editing and Comping category...

Level stage at clip level before compression; leave faders for balance/automation. more

More in the DAW and Editing category...

Tight chord spacing within an octave; cohesive color but can muddy in low register. more

More in the Orchestration and Notation category...

Chord tones packed within a single octave; compact, pianistic sound. more

Striking strings with the wood of the bow for percussive timbre (battuto) or bowing with wood (tratto). more

More in the Orchestration and Notation category...

Collaborative release credited as “Artist feat. Guest.” Clarify splits, approvals, assets, and release plan before publishing. more

More in the Studio, recording and mixing category...

Written splits for songwriting, production, and revenue. Establish ownership early to avoid disputes. more

More in the Studio Workflow and Collaboration category...

Digital creation and collaboration tools have transformed how musicians produce and share ideas. These cloud-based platforms allow artists to work ... more

More in the Platforms and ecosystems category...

Cross-pollinate audiences; split sheets and metadata sorted before release. more

More in the Music Business and Marketing category...

Societies administer rights/royalties on behalf of rightsholders (e.g., PRS, MCPS, SoundExchange). more

More in the Business and Copyright category...

Optical spacing around slurs, articulations, lyrics, and tuplets. more

More in the Notation and Engraving category...

Blend timbres (e.g., flute+violin, clarinet+viola) to create hybrid colors. more

More in the Orchestration by Function category...

Rapid key cycles by major thirds (G–E♭–B etc.); demands compact, pivot-friendly voicings. more

Symmetric third-cycle key centers around dominant pillars; outline guide-tones to avoid getting lost. more

More in the Improvisation category...

Systematic drills through the three-tonic cycle. Start with arpeggio cells and guide-tones before adding approach notes. more

More in the Improvisation Practice Systems category...

Peaked/notched response from summing a signal with a delayed version (reflections or dual mics). more

More in the Audio Theory and Acoustics category...

Sustain a single tone to pivot into new key center. more

More in the Harmony and Chords category...

Shared cues/hand signals, MD authority, and polite correction norms. more

Editing multiple takes to create a best performance. Requires crossfades and consistent tone to remain transparent. more

More in the Studio, recording and mixing category...

Assembling a master performance from multiple takes using playlists/editing. more

More in the Recording and Production category...

Assemble takes with consistent tone and delivery; crossfade cleanly and maintain lyric clarity. more

More in the Vocal Production and Recording category...

Part designs that leave space for lead and vocals; syncopation supports, never fights, the groove. more

More in the Rhythm Section Craft advanced category...

Record multiple takes to lanes/playlists; swipe best phrases into a master comp. more

More in the DAW and Editing category...

Anticipations, tied rhythms, and rests to support singers/soloists. more

More in the Guitar and Bass Technique category...

Accompanying parts leave space for vocal; anticipate phrasing and breaths. more

More in the Session Musicianship category...