Music Glossary: [Page 8]

Matching scales to chords to guide tension/avoid notes in improvisation/arranging. more

More in the Harmony and Chords category...

Target 3rds/7ths by ear on strong beats; sing arpeggios through changes to outline harmony clearly. more

Notes a semitone above or below a target that resolve into it. Practice over ii–V–I to strengthen harmonic aim and jazz vocabulary. more

More in the Improvisation Practice Systems category...

Third-related major/minor chords with chromatic alteration but shared tones. more

More in the Harmony and Chords category...

Twelve-note collection moving exclusively by semitones; spans the octave. more

More in the Scales and Modes category...

Ordering of keys by perfect fifths showing key signatures and common root motion (e.g., ii–V–I). more

More in the Progressions and Harmonic Devices category...

Single-reed with wide range and dynamic control; transposes major second. (B♭) more

More in the Instruments and Families category...

A nylon‑strung guitar with wider neck and flat fingerboard; used for classical, flamenco, and Latin styles. more

More in the Guitar Tunings and Voicings category...

Broad umbrella for Western art music from Medieval to contemporary concert traditions. more

More in the Genres and Forms category...

2-3/3-2 clave, cascara; alignment rules inform Latin grooves. more

More in the Rhythm and Meter category...

Commission session players, royalty-free libraries, or stems from collaborators. more

More in the Sampling and Legal category...

Staff reference symbols setting where specific pitches fall; chosen for range/legibility. more

More in the Orchestration and Notation category...

Agree count-in length, pickups, and pre-roll; label bar 1 cleanly. more

More in the Session Musicianship category...

Decide which songs need click/guide; print cues for form and transitions. more

When to use click; drummer-only vs full-band feeds; transitions count-offs. more

More in the Rhythm Section Craft category...

Guide metronome delivered to performers/engineer to maintain synchronization. more

More in the Orchestration and Notation category...

On-top/behind exercises; subdivisions and gap-click drills. more

More in the Drums and Percussion Technique category...

Click/cue only to performers’ IEMs; never to FOH. Typically via a dedicated output pair from the playback interface. more

More in the Live Tech and Playback Rigs category...

Provide a count-in reference stem when needed so live players and editors align starts reliably. more

More in the File Prep, Metadata and Delivery category...

Decide per song: click for tracks/precision vs free tempo for feel. more

More in the Stagecraft and Performance category...

Leveling phrases pre-inserts so compressors and plugins work musically and consistently. more

More in the DAW Editing and Comping category...

Level stage at clip level before compression; leave faders for balance/automation. more

More in the DAW and Editing category...

Tight chord spacing within an octave; cohesive color but can muddy in low register. more

More in the Orchestration and Notation category...

Chord tones packed within a single octave; compact, pianistic sound. more

Striking strings with the wood of the bow for percussive timbre (battuto) or bowing with wood (tratto). more

More in the Orchestration and Notation category...

Collaborative release credited as “Artist feat. Guest.” Clarify splits, approvals, assets, and release plan before publishing. more

More in the Studio, recording and mixing category...

Written splits for songwriting, production, and revenue. Establish ownership early to avoid disputes. more

More in the Studio Workflow and Collaboration category...