training
Beat Subdivision InternalizationCounting and feeling 8ths/16ths/tuplets against a click; use gap-clicks and off-beat metronome practice. more
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Chord Quality RecognitionIdentifying major, minor, diminished, augmented, sus, and extended chords by ear, including color tones. more
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Chord-Tone HearingTarget 3rds/7ths by ear on strong beats; sing arpeggios through changes to outline harmony clearly. more
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Ear Training Apps/ToolsApps and web tools that drill intervals, chords, progressions, and rhythm with spaced repetition and analytics. more
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Functional Harmony by EarMapping tonic, predominant, dominant functions in real time; listen for cadences and leading tones. more
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Gap-Click PracticeMetronome mutes for bars to test internal time; aim to land on the click when it returns. more
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Interval Anchor SongsUsing familiar song openings to remember interval sounds (e.g., “Here Comes the Bride” = P4 ascending). more
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Interval IdentificationTraining to recognize the distance between two notes (melodic/harmonic). Start with perfects and majors/minors, then add tritones. more
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Interval SingingSing up/down specific intervals from a reference pitch to connect ear, voice, and instrument. more
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Progression SpottingHearing common progressions (I–V–vi–IV, ii–V–I, blues forms) and predicting next chords by function. more
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Relative Pitch vs AbsoluteRelative pitch hears relationships; absolute (perfect pitch) identifies exact notes. Relative is trainable for everyone. more
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Rhythm DictationWriting down clapped/spoken rhythms; practice with subdivisions, ties, syncopation, and mixed meters. more
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Sight-SingingReading and singing notated melodies at first sight; builds intonation, rhythm, and interval accuracy. more
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Solfège: Fixed vs Movable DoFixed-do maps syllables to absolute pitches; movable-do maps to scale degrees. Movable-do helps functional hearing. more
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