Listen to the top 30 Smooth Jazz covers of great tracks by Larry Carlton, Bob James, Michael Jackson and more!
MJ did such a great job of this track. Remember how his voice breaks down at the end? To do this justice you need that same emotional investment. I'm not sure I could take it as far as him but, for nylon strings, this is as expressive as I dared!
The classic Michael Jackson track from the album of the same name For full Michael Jackson discography click here
Classic Earth Wind and Fire power ballad, one of their all time great tracks For the full Earth, Wind and Fire discography click here
This track is by Michael Brecker and Pat Metheny is a Latin/smooth jazz piece. The horn section is the major feature here. It’s a crowd favorite that seems to well within the jazz tradition even though it can be done with almost a rock groove
Where were you when you first heard Stevie play this track? That's why Stevie, and this track in particular means so much to me.
Dave Grusin / Lee Ritenour
"After the Love Has Gone," a hit single by Earth, Wind & Fire from their 1979 album “I Am”, is a soulful ballad that showcases the band's musical sophistication and emotional depth. Written by David Foster, Jay Graydon, and Bill Champlin, the song is celebrated for its lush harmonies, poignant lyrics, and smooth production. Here’s an accessible breakdown of its musical elements.
Who's Bad? Me? The classic track off the Thriller album done smooth jazz style. For full Michael Jackson discography click here
I was enticed to this track because it has such a haunting melody and general vibe. It has always reminded me of "I'm only Human" by the Human League. It has some very similar chord progressions. I use a nylon stringed classical and electric guitars, as well as bass to pick out the tune.
OK, I'll stick my hands up! I went a bit OTT with the guitar on this one! Watch out Eddie Van Halen, the jazz guy's got overdrive too!
Super smooth jazz version of the great EW&F ballad. You can't go wrong with Earth Wind and Fire! For the full Earth Wind and Fire discography click here
This is from One on One a smooth jazz, crossover jazz studio album by Bob James and Earl Klugh. This album earned the two artists the Grammy award for Best Pop Instrumental Performance in 1981
Here's my smooth jazz guitar version of the Stevie Wonder classic off the Fullfillingness album. It was Stevie Wonder's golden era.
A tune by Marcus Miller. I approach it in the style of the Bob James version which is very smooth jazz
Here's my smooth jazz guitar version of the Stevie Wonder classic off the Fullfillingness album. It was Stevie's golden era.
This is a very accomplished piece of song writing by Michael Jackson, reminding us that he didn't just cherry pick material from others, he really was a true master. The chord progressions are unusual and complex, changing key subtly and confidently like a modal jazz composition. I approach it by keeping it clean for the intro, following Jackson's melody line. I then explore with piano and light acoustic guitars. The hook gets a typical jazz technique of playing octaves for the line. The solo is then restrained to keep the song's beauty. The middle eight gets a guitar solo with a tougher tone. It's a joy to play over by following the key changes.
Rio Samba is one of Larry Carlton's seminal tracks. It was track number five on his first solo album and remains a firm favorite in his live sets.
MJ had so many great power ballads and this is one of them. It was recorded by Michael Jackson and Paul McCartney, written by Jackson and produced by Jackson and Quincy Jones. It was released as the first single off Jackson's sixth solo album, Thriller (1982).
I have to admit to not being a Pat Metheny fan. Not that I don't rate him, I just don't know much about him. When I heard this track I just knew I wanted to cover it. This is from Offramp is the Grammy Award winning third album by Pat Metheny Group, released in 1982