Goodbye Pork Pie Hat - Charles Mingus cover

Goodbye Pork Pie Hat - Charles Mingus cover

This track is composed by Charles Mingus originally recorded by his sextet in 1959 as listed below, and released on his album Mingus "Ah Um". Mingus wrote it as an elegy for saxophonist Lester Young, who had died two months prior to the recording session, and was known to wear a broad-rimmed pork pie hat. It's been covered by many including Miles (hence the link to blue note), Joni Mitchell, Jeff Beck and other notables. I follow the Marcus Miller arrangement so I'm playing High Bass again.

Musical analysis

"Goodbye Pork Pie Hat" is a jazz composition written by Charles Mingus as a tribute to the late saxophonist Lester Young. Although Miles Davis did not compose this piece, he did record a famous version of it on his album "Mingus Ah Um." Here's a musical analysis...

1. Blues Form "Goodbye Pork Pie Hat" is structured as a 12-bar blues, which is a common form in jazz music. However, Charles Mingus's interpretation of the blues is more complex and harmonically rich than the traditional blues form. The chord changes in "Goodbye Pork Pie Hat" move beyond the typical I-IV-V progression, incorporating substitutions and variations that add depth and interest to the composition.

2. Emotional Depth The piece is renowned for its emotional depth and poignancy. Mingus composed "Goodbye Pork Pie Hat" as a tribute to Lester Young, a legendary saxophonist who had a profound influence on him and many other jazz musicians. The melancholic melody and evocative harmonies capture the sense of loss and reverence Mingus felt for Young, creating a deeply moving musical homage.

3. Harmonic Sophistication Mingus's composition features sophisticated harmonic progressions that depart from the traditional blues form. While the piece is firmly rooted in the blues tradition, Mingus incorporates chromaticism, modal interchange, and unexpected chord changes to create a unique and compelling harmonic palette. The result is a composition that is both accessible and complex, inviting listeners to engage with its rich harmonic textures.

4. Arrangement The arrangement of "Goodbye Pork Pie Hat" on "Mingus Ah Um" features a small ensemble consisting of trumpet, saxophone, piano, bass, and drums. Each instrument contributes to the overall texture and mood of the piece, with Mingus's bass playing providing a solid foundation for the melodic and harmonic interplay. The arrangement showcases Mingus's skill as a bandleader and arranger, allowing each member of the ensemble to shine while serving the collective vision of the composition.

5. Improvisational Opportunities While "Goodbye Pork Pie Hat" is primarily a composed piece, it also provides opportunities for improvisation. The structure of the blues form allows for soloists to explore and develop their own melodic ideas within the framework of the composition. Mingus's version on "Mingus Ah Um" features memorable solos by saxophonist Booker Ervin and pianist Horace Parlan, among others, highlighting the improvisational prowess of the musicians involved.

6. Legacy "Goodbye Pork Pie Hat" has become one of Mingus's most enduring compositions, revered by jazz musicians and listeners alike. Its poignant melody, sophisticated harmonies, and emotional depth have cemented its place as a classic in the jazz repertoire, ensuring its continued relevance and influence for generations to come.

Overall, "Goodbye Pork Pie Hat" is a masterpiece of jazz composition, showcasing Mingus's exceptional talent as a composer and arranger. Its timeless beauty and emotional resonance continue to captivate audiences and inspire musicians around the world.


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