The blues are the roots and the other musics are the fruits. It's better keeping the roots alive, because it means better fruits from now on. The blues are the roots of all American music. As long as American music survives, so will the blues.
Listen to the top original Blues songs that I have written, rated according to popularity by our visitors.
'Say my name' is easy listening, clean blues with a story.
Cajun swamp music, New Orleans style, front line funk bounce beat, 90 bpm, E pentatonic country rock, The Meters
This has nothing to do with Born Under a Bad Sign, the famous Albert Lee album or the Cream track of the same name (by Booker T. Jones of Booker T and the MGs , William Bell).
A Chicago Blues groove
12 bar Blues in D Major Featuring a Gibson J-45 acoustic tuned to open D. It's a protest song about the 'man' and how he controls us through our vices. Not biographical, I'm the only guy you know to go to Las Vegas and never bet a dime!
Nothing to do with the Blues original (by Willie Dixon and recorded by Howlin' Wolf in 1960, also famously performed by the Doors on their debut album).
Blues rock song in E major, jam in C# pentatonic. This has nothing to do with the Donald Fagan track of the same name, it's much more blues rock based.
Nasty modern Rock & Roll tune with a blues feel
This instrumental track, whilst a 12 bar, is also rooted in the style of smooth jazz blues that Larry Carlton did in the 80’s.
Ironically not a 12 bar blues but another popular form, the16 bar blues this time in D major featuring slide guitar tuned to open G. Yet another non biographical song about how our vices can control us, if we let them!
This is an upbeat track which is a16 bar blues guitar groove jam in G Major. It's very much in the style of Larry Carlton my main man as far as guitar playing is concerned.
Cold Coffee and Cigarettes is all a body needs!
A blues/funk track featuring AJ Lewis on vocals. I use the voice box on the first solo and slide on the second one.
Bad Girl Blues is a 60’s psychedelic blues complete with sitar and modal melodies.
Closely related to "Cross Road Blues " (also known as " Crossroads ") but is not the Robert Johnson classic rather a new, original blues composition by Benny Sutton.